Deanna Swoboda, former tubist with the internationally recognized Dallas Brass, is Assistant Professor of Music at Western Michigan University where she teaches tuba and euphonium and performs with the Western Brass Quintet, a resident faculty ensemble. Since 1994, Ms. Swoboda has toured the United States and Europe presenting concerts, master classes, and school residencies. She has performed with well-known artists such as Della Reece, Lionel Hampton, Bill Watrous, Michael Feinstein and Winton Marcellus. As a former member of the Arizona Commission for the Arts, Indiana Young Audiences and Oregon Young Audiences Deanna continues performing educational music assemblies and school residencies respectively. Swoboda holds degrees in tuba performance from the University of Idaho and Northwestern University, and is ABD for the Doctor of Musical Arts degree from Arizona State University. In addition to being a video artist for Silver Burdette-Ginn, Swoboda wrote, produced, organized, and performed on the band recruitment DVD “Band Blast Off!”, released in 2006. Her solo CD, “Deanna’s Wonderland,” was released on Summit Records in 1999. She will release her next children’s CD, “Tuba Tex: How the West was Fun” in spring 2008. Prior to her appointment at Western Michigan University, Swoboda taught at the University of Nevada Las Vegas, the University of Northern Iowa, University of Denver, University of Idaho, National Conservatory of Madrid (Spain), and Deutschen Tubaforum–Hammelberg (Germany).
What is the difference between a baritone and a euphonium?
The main difference is the bore size. The euphonium is conical (the tubing gradually gets bigger from the mouthpiece to the bell) and the baritone is cylindrical (it maintains a consistent bore size throughout the major portion of the instrument which means it has a brighter sound). The baritone is considered a small bore instrument. It is pitched in BBb and typically has three valves. It is a traditional instrument of the British brass band. The euphonium has a larger bore (and is conical) and has a darker sound. Euphoniums will have three or four valves.
The tuba and euphonium are considered conical instruments. A conical instrument has a gradual taper (gradually gets larger through 2/3 of the tubing). They produce a more mellow tone quality.
What is a Conical Bore?
A euphonium that has a compensating system has a fourth valve (operated by the left hand) and has extra tubing or “knuckles” on the back of valves 1, 2, and 3. The fourth valve (positioned on the side of the instrument), in addition to the extra tubing makes it possible to play chromatic notes between the first and second partials. It also makes for much better intonation overall. The fingering system is such that you can play Db using 2/3, add the fourth valve and play the octave lower in tune. On a non-compensating instrument you would not be able to play the same fingering for that low Db. For example, on a non-compensating instrument, you would have to play a half step lower (fingering 1/3) and adding the fourth valve to play a “sharp” Db. Also with a compensating instrument you can now play the low B natural using 1, 2, 3, 4. With a compensating instrument you get better intonation, all of the chromatic notes from low to high and better fingering combinations. If you are going to purchase a euphonium, make sure you at least buy one with four valves (whether compensating or non-compensating). The euphonium with four valves is far superior to a three-valved instrument because it allows for better intonation.
Does my euphonium have a Compensating System?
A brass instrument invented by composer and conductor, John Phillip Sousa and the instrument maker J. W. Pepper (Philadelphia). The design was adapted from the tuba and the helicon. In 1893, Pepper built an instrument that allowed the bell to be pointed upwards for the concert setting and forward for the march. He called it a “ sousaphone” to thank Sousa for his suggestions.
What is a Sousaphone?
The first valve was invented in 1815 by Heinrich Stolzel.
When was the valve invented?
There are four keys of tubas from which to choose. From the largest to the smallest you will find the BBb and CC contrabass tubas and the Eb, and F “bass” tubas. Junior High/Middle School and High School players will begin on the BBb contrabass tuba. It is a good instrument for providing the foundation of the band (playing the low notes). If a student decides to go to college and major in music then she/he may be asked by the professor to switch to CC tuba. The CC tuba is somewhat smaller (has less tubing) than the BBb tuba. The CC tuba is more agile and easier to facilitate in the upper register. The Eb and F tubas are used mainly for solo and high orchestral playing. These instruments are smaller and are much easier to facilitate in the upper register. High orchestra parts (written by Berlioz, Prokofiev, Mendhlesson and others) and solos written for bass tuba are much more fun and manageable on these Eb and F tubas.
How many different keyed tubas are there?
When buying a tuba or euphonium the main considerations should be the sound of the instrument when played, the ease of response, the durability, and the cost. You want to buy an instrument that “resonates” with you, the player. If you like the sound it produces and you are able to play it with relative ease (in tune) then it is worth considering. You also want to know that it will last and that will have resale value. There should be sufficient bracing on the instrument. The bracing protects the slides and the tubing from being damaged. Ask your private teacher or band director to assist you when buying an instrument. They can help decide which one is best for you.
How do I know what instrument to buy?
The size of mouthpiece that you play with your tuba or euphonium is very important. A mouthpiece that fits properly to the instrument and also to the player can make a player’s job easier. A beginning student should use a smaller mouthpiece, especially if they are playing a smaller three-valved instrument. This allows the player to have more immediate response and a more focused sound. The more advanced player (and one with a larger instrument) will want a bigger mouthpiece for a more resonant sound in the low register but also something that allows ease and good intonation in the upper register.
What about the mouthpiece?
When used in alone or in combination with other valves, the 4th valve will provide better intonation. The other thing it does is allow all of the chromatic notes between low Bb and pedal BBb. The 4th valve tubing is just a bit longer overall than the 1st and 3rd valves depressed together. So, it will take the place of the 1st and 3rd combination and will be better in tune. Here are some fourth valve fingerings to try out on your BBb tuba:
How do I use the 4th valve on my tuba?
- Low C - 4
- Low B natural - 2, 4
- Low Bb – open
- Pedal F – 4
- Pedal E – 2, 4
- Pedal Eb – 1,2,4
- Pedal D – 2, 3, 4
- Pedal Db – 1, 3, 4
- Pedal C – 1, 2, 3, 4
- Pedal B natural (fake) 2, 3
- Pedal Bb – open
When deciding which is better, it is really up to the player. Piston valves move up and down while rotary valves (like the French horn valve) rotate in a circle. Some people say that rotary valves make for smoother player while pistons provide more of an openness and immediate response. The player has to determine their personal preference in this matter. Neither is “better or worse”, just different.
Rotary or Piston Valves?
It is important to treat your instrument with care. By keeping the instrument clean, the valves oiled, the slides greased, you will help the extend longevity of the instrument. Be sure to oil your valves at least twice a week, grease your slides once a month and have it professionally cleaned once a year. Do not drink or eat before you play UNLESS you brush your teeth! All of that will end up in your instrument and make for problems later. You can also purchase a mouthpiece brush and clean your mouthpiece once a week. This helps keep the instrument clean and playing well.
Care and maintenance?